She and the other writers of Greenwich Village were, according to Millay herself, "very, very poor and very, very merry. The transition from one speaker to another, a change in opinion, or in this case, a change in perspective. These two scenarios mirror the ones the speaker has described in the first half of the poem, a difficult hour without food, water, or shelter, and pinned down by pain as if afflicted with a deadly disease such as tuberculosis was then.
Continuing on to the second half of the first quatrain, Millay creates another metaphor, or a comparison between two unlikely elements. The speaker in the poem writes to her lover, it appears, after a night of passion and contemplates the ultimate power of love.
Works Cited Klemans, Patricia A. There, she continued to write poetry and became involved in the theater.
Harper and Row, Many people assign value to love by their willingness to die in their pursuit of it, but the speaker exhibits some hesitancy in committing to this idea, asserting that she does not know if she would sell or trade her love in order to survive.
In the last line the speaker comes to the conclusion that she may trade her love away, but more than likely she, as all those stated above, would not. After this point the speaker starts using first person to address the issue more personally.
The poem can be broken into three parts or movements: By stating that she does not believe that she would sell or trade love in order to survive, the speaker reveals that even though she may define the value of love in an objective way for others, she cannot define it for herself with any degree of certainty or impartiality, thus revealing her ambivalence toward it.
Vincent Millay was born in Rockland, Maine in In the first movement, Millay personifies love and uses familiar images such as food and shelter to show the reader what love is incapable of doing; thus, she yokes the commonplace and abstract together.
Using the sonnet form, the traditional form for love poetry, the speaker points out that because there is no other emotion quite like the many-faceted emotion of love, it is utterly irreplaceable. In these lines Millay references all the comparisons above, and her speaker is saying, basically, that even with all the truths that have thus far been stated, men still kill themselves because they do not have love.
This second theory is reinforced by the first half of the next line: The poem was first published in Collected Poems, in an remains one of Edna St. The next line is one of the most poignant. A New Look at Edna St. Love can not fill the thickened lung with breath, Millay continues the comparison at the end of the first quatrain as she speaks here of death and the little good love will have in stopping it.
Vicent Millay Edna St. This makes it a likely disease for Millay to have chosen to contrast against love. Her mother, Cora, raised her three daughters on her own after asking her husband to leave the family home in She remembers the decisions she used to make and the resolution, or determination, that they had.
The central paradox of the poem is defined: Her popularity stemmed from both her remarkably crafted sonnets and her bohemian lifestyle, including her political stances, and open relationships.
Why is love so essential for survival when it is not a physical necessity? Critical Essays on Edna St. Even the trademark rhyming couplet that should bring closure to the poem is absent, for food and would are only near rhymes, thus reinforcing the tension between blind faith in love and the reality of its limited physical power.
The poem ends with uncertainty: In general with these metaphors she is attempting to get across the notion that love is nothing but an emotion that can do nothing for one in a critical, life threatening situation.Dec 27, · One thought on “ Love is not all, Edna St.
Vincent Millay – an analysis ” Pingback: Love is not all, Edna St. Vincent Millay – an analysis | Tree Of Poe Leave a Reply Cancel reply. In the poem “Love is not all: it is not meat nor drink,” Edna St.
Vincent Millay asserts that love cannot serve as a replacement for our basic physical needs, yet it is essential for a person’s emotional needs. In the eighth line of the poem "Love is not all," Edna St. Vincent Millay says, "Even as I speak" Written in the sonnet form, the poem’s main theme is to bring home how important love is in one’s life.
This short, complete idea is a powerful statement of the speaker's uncertainty. "Love Is Not All" contains only four sentences. Placing two in the last line draws the reader's eye. Edna St. Vincent Millay Born in Her mother divorced her father, and she grew up in an all-female household.
She went to all girls' school Barnard and Vassar. Poet and playwright Edna St. Vincent Millay was born in Rockland, Maine, on February 22, Her mother, Cora, raised her three daughters on her own after asking her husband to leave the family home in Apr 06, · This idealized vision of love is just what modernist poet Edna St.
Vincent Millay is rallying against in her lovely, understated poem “Love is Not All.” Though Millay uses none of the unorthodox pyrotechnics of her modernist contemporaries, she still manages to undermine convention, albeit in a more traditional style.Download